BLACK ARMIN · 01
Oud
Agarwood and saffron suspended in desert light. Mudbrick towers set the scale; the bottle stays the still point.
The set moves between two registers — carved architecture at golden hour, and charred wood on near-black ground — so the same bottle reads both heritage and modern.
BLACK ARMIN · 02
Private
The darkest chapter of the range. Basalt, charred wood and a single hard light — nothing warm except the liquid itself.
Amber liquid is the only warm value in the frame. Everything around it — rock, ash, packaging — is held near black so the product carries the entire exposure.
BLACK ARMIN · 03
Pink Rose
Peony water and open sky. A high-key counterweight to the dark half of the range, built on reflection rather than shadow.
Two treatments for one scent: a studio niche in saturated rose, and daylight florals on water. Same bottle, two retail moods.
BLACK ARMIN · 04
Nuevana
Citrus and gold. Silk, ice and rope give the scent three different surfaces to sit against — luxury, freshness, craft.
Three surfaces for one gold label — wet citrus for freshness, low amber light for depth, coiled rope for craft.
BLACK ARMIN · 05
White Musk
The softest set in the range. Blossom, warm limestone and drifting silk — no hard edges anywhere in frame.
Warm stone colonnades give the pale bottle somewhere solid to sit; petals and silk keep the palette soft throughout.
BLACK ARMIN · 06
Blue
Mediterranean light, salt and stone. The one scent in the range shot as landscape first and product second.
The series runs from open coastline to a controlled blue studio, so the same bottle works for both lifestyle and pure e-commerce placement.
FRANK ROSHA · PRODUCT 01
Aquamarine pendant
The studio product frame is the reference; the AI frame places the same piece on weathered driftwood to give the stone a natural context.
FRANK ROSHA · PRODUCT 02
Emerald cocktail ring
One reference frame, two AI treatments — a magnolia leaf for editorial warmth, and a tight macro that holds the pavé and claw setting.
FRANK ROSHA · PRODUCT 03
Wave band, 18k
The ribbed wave profile is the whole design, so both AI treatments stay tight on the band — one on navy, one in soft daylight.
LANDINOU · 01
Black on black
A fully blackened case and bracelet, kept legible by specular edges alone. Black gemstone bezel, white diamond indices.
MICHEL MARTIN · 02
Opal dial, gold case
The dial is the whole story here — crushed opal in blue and green, so the supporting frames stay turquoise and quiet.
FRANK ROSHA · 03
Blue dial, steel
An octagonal steel case on an integrated bracelet, carrying a deep sunburst blue dial and a diamond-set bezel. Lit to keep the case edges bright and the dial saturated.
- CASE
- Polished steel
- DIAL
- Sunburst blue
- BEZEL
- Diamond-set
- BRACELET
- Integrated link
FRANK ROSHA · 04
Silver dial, steel
The same octagonal case in a brighter register — brushed silver dial, diamond bezel, and a light setup that separates each bracelet link.
- CASE
- Polished steel
- DIAL
- Brushed silver
- BEZEL
- Diamond-set
- BRACELET
- Integrated link
BLACK ARMIN · 04
Octagon, two-tone
The house watch closes the portfolio. An octagonal case in steel and rose gold, with a woven navy dial — lit tight and centred so the geometry of the bezel does the work.
- CASE
- Steel & rose gold
- DIAL
- Woven navy
- BEZEL
- Octagonal
- BRACELET
- Integrated link
